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browngirlHaving written an entire entry disavowing and countering commonly cited reasons attributed to those of us who like genderswap, here's an entry where I try to explain what my reasons actually are.
Soon after I got into the Star Trek Reboot fandom, when everything felt wide open and full of limitless possibilities, I read this post by Liviapenn where she cast STXI with a gender-reversed set of actors. This post, and the discussions I read subsequently both on and off![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-community.gif)
st_genderswap, galvanized my imagination; I haven't yet written a story where I have genderswapped everyone, but I've thought about what changing any one or more of them might do to their trajectory in the fictional universe.
One character I've written a great deal about is Leah McCoy, MD, CMO of one version of the ISS Enterprise. I put Leonard McCoy through two transformations at once, to the Mirrorverse and from [assumed to be -- more on that later] cisgendered male to cisgendered female; I did so at first because an intriguing prompt caught my eye, but I've kept writing about Leah McCoy because I find her a fascinating character, exploring how she is and isn't like Leonard McCoy, the intersections of how being female changes her and how the Mirror Universe changes her.
Generally... one of my reasons for writing and reading genderswap overlaps with one of my reasons for writing and reading about minor, unnamed-in-canon and offscreen female characters. For me, my primary canon for Star Trek Reboot is a two-hour-long movie (I was not particularly a Star Trek TOS fan) and there's one major female character and a handful of secondary characters. I love that major female character, but Nyota Uhura isn't and shouldn't have to be the entirety of womanhood in the Star Trek universe, so I write and read a seemingly disproportionate amount about minor female characters, and I also ask myself what the fictional universe would look like if a larger proportion of characters whatsoever were female. That's my main reason for writing genderswap. The specter of 'Mary Sue' is invoked nearly any time we write about female characters, including against genderswap, but I think female characters are worth considering and that the threat of Mary Sues is greatly overblown (but that's another discussion).
As I put it elsewhen, "I first picked up a genderswap prompt because I thought, "What if Character X, with Y canon role, were female instead of male? And then I ran with it. There's no more complicated reason than that, putting more women into the fictional universe and seeing how being female affects a character's in-universe life and in-story 'jobs'."
Although, I've since found that it is more complicated. For instance, I elided at least two aspects of genderswap in my explanation above.
One: despite![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
liviapenn's brilliant fancasting of Leonard Roberts & Tom Welling, I haven't switched a female character to male. I have seen that presented as a challenge to writers of genderswap, essentially, "Why do you ignore the female characters?" Ignoring them isn't my intent; however, because I want more women in the fictional universe, I'm not as interested in changing the female characters that exist to male. It could make for a very interesting story to write the dynamic of a crew composed of one man and several women and to compare it with the dynamic of one woman and several men, or to mutually swap a het canon couple (Georgina & Winston?) but I haven't written those stories yet, is all.
Two: In my entire discussion above I've conflated 'male' with 'cisgender male' and 'female' with 'cisgender female', and now I want to pull that apart. Another valid and underdone way of writing stories that include more women would be to write about transgender women, as part of writing more about transgender people, who aren't included anywhere near as much as they should be. I've been thinking about this more than my fic output so far likely suggests, since I have only one story so far that could be said to be about a transgender character. As with any other important subject I have not personally lived, I want to do my best. However, as I said in my last post, I don't think stories about transgender characters and stories about cisgender genderswapped characters necessarly occupy the same space, nor do they need to crowd out each other. I'm not done writing yet, and I for one intend to write both genres if I can do so successfully.
I wrote this entry because most of the discussions I've seen of genderswap have been negative portrayals of the practice, so I wanted to start from a positive take on the subject. My friendazephirin asked once: Do you just plunk the traits of the canon/original version onto their alternately-gendered counterpart, or do you consider how the character would relate to hirself and society as a person of another gender, which tends to change things somewhat? Her words have inspired me ever since.
Soon after I got into the Star Trek Reboot fandom, when everything felt wide open and full of limitless possibilities, I read this post by Liviapenn where she cast STXI with a gender-reversed set of actors. This post, and the discussions I read subsequently both on and off
st_genderswap, galvanized my imagination; I haven't yet written a story where I have genderswapped everyone, but I've thought about what changing any one or more of them might do to their trajectory in the fictional universe.One character I've written a great deal about is Leah McCoy, MD, CMO of one version of the ISS Enterprise. I put Leonard McCoy through two transformations at once, to the Mirrorverse and from [assumed to be -- more on that later] cisgendered male to cisgendered female; I did so at first because an intriguing prompt caught my eye, but I've kept writing about Leah McCoy because I find her a fascinating character, exploring how she is and isn't like Leonard McCoy, the intersections of how being female changes her and how the Mirror Universe changes her.
Generally... one of my reasons for writing and reading genderswap overlaps with one of my reasons for writing and reading about minor, unnamed-in-canon and offscreen female characters. For me, my primary canon for Star Trek Reboot is a two-hour-long movie (I was not particularly a Star Trek TOS fan) and there's one major female character and a handful of secondary characters. I love that major female character, but Nyota Uhura isn't and shouldn't have to be the entirety of womanhood in the Star Trek universe, so I write and read a seemingly disproportionate amount about minor female characters, and I also ask myself what the fictional universe would look like if a larger proportion of characters whatsoever were female. That's my main reason for writing genderswap. The specter of 'Mary Sue' is invoked nearly any time we write about female characters, including against genderswap, but I think female characters are worth considering and that the threat of Mary Sues is greatly overblown (but that's another discussion).
As I put it elsewhen, "I first picked up a genderswap prompt because I thought, "What if Character X, with Y canon role, were female instead of male? And then I ran with it. There's no more complicated reason than that, putting more women into the fictional universe and seeing how being female affects a character's in-universe life and in-story 'jobs'."
Although, I've since found that it is more complicated. For instance, I elided at least two aspects of genderswap in my explanation above.
One: despite
liviapenn's brilliant fancasting of Leonard Roberts & Tom Welling, I haven't switched a female character to male. I have seen that presented as a challenge to writers of genderswap, essentially, "Why do you ignore the female characters?" Ignoring them isn't my intent; however, because I want more women in the fictional universe, I'm not as interested in changing the female characters that exist to male. It could make for a very interesting story to write the dynamic of a crew composed of one man and several women and to compare it with the dynamic of one woman and several men, or to mutually swap a het canon couple (Georgina & Winston?) but I haven't written those stories yet, is all.Two: In my entire discussion above I've conflated 'male' with 'cisgender male' and 'female' with 'cisgender female', and now I want to pull that apart. Another valid and underdone way of writing stories that include more women would be to write about transgender women, as part of writing more about transgender people, who aren't included anywhere near as much as they should be. I've been thinking about this more than my fic output so far likely suggests, since I have only one story so far that could be said to be about a transgender character. As with any other important subject I have not personally lived, I want to do my best. However, as I said in my last post, I don't think stories about transgender characters and stories about cisgender genderswapped characters necessarly occupy the same space, nor do they need to crowd out each other. I'm not done writing yet, and I for one intend to write both genres if I can do so successfully.
I wrote this entry because most of the discussions I've seen of genderswap have been negative portrayals of the practice, so I wanted to start from a positive take on the subject. My friend
azephirin asked once: Do you just plunk the traits of the canon/original version onto their alternately-gendered counterpart, or do you consider how the character would relate to hirself and society as a person of another gender, which tends to change things somewhat? Her words have inspired me ever since.
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no subject
Date: 2011-03-28 10:31 am (UTC)There was one commenter here - not the one directly above - who said their initial dislike of genderswap as an idea was related to the suspicion it was slash writers' attempt to garner feminist cred without having to take the focus away from their adored men, which I guess happens, and I have to admit this has been my suspicion in the past too. At the same time I totally get the attraction of riffing on a character by changing their gender and how this is fun and creates new characters, more or less, who are YOURS but at the same time ALSO the character you love, and you can play with them in whole new ways while still having a framework to refer back to. (I always get bored with my entirely original characters because I could make them do/say/be anything and there doesn't seem to be much challenge to writing them.) So there are all those enticing reasons to write genderswap that are NOT "I want feminist cred but I don't find women characters interesting", and so I also KNOW that that suspicion is just prejudice, and not going to be true in all, perhaps not most, cases.
no subject
Date: 2011-03-28 11:20 am (UTC)There was one commenter here - not the one directly above - who said their initial dislike of genderswap as an idea was related to the suspicion it was slash writers' attempt to garner feminist cred without having to take the focus away from their adored men, which I guess happens, and I have to admit this has been my suspicion in the past too.
One of the things the great Slash May Be Evil discussion made me realize is that I am responsible to the world but I'm not responsible for it. (This is bigger than it sounds -- I tend to feel responsible for everything.) Just as I can't be responsible for all the badfic, but for making my stories as good as I can, I cannot be responsible for all the people who write genderswap from bad motives; what I can do is make sure those motives aren't mine, and to encourage others not to write from those motives, but if I stop writing because other people wrote from bad motives I won't benefit myself or anyone else.
Or, yeah, I know, but that's not why I write genderswap either, and I can't undo that other people may, though I can perhaps encourage them not to. But not by not writing.
no subject
Date: 2011-03-28 11:45 am (UTC)So yes, to end on a joyful note, I love female characters playing central roles that are almost always left to men in pop fiction. Let me list some: Captain Amelia in Treasure Planet (spaceship captain!), Modesty Blaise in the comics of the same name (ex-crime boss, now independent contractor to Great Britain), Hildy Johnson in His Girl Friday (workaholic reporter trying to quit), the angels from Charlie's Angels (the movies, I never watched the show - brilliant private eye superheroes), Chel from Road to El Dorado (trickster), Parker from Leverage (burglar; though my favourite character from that show will always be Hardison, Parker and Sophie come directly after), Kaylee Frye (mechanic), Zoe Washburn (taciturn soldier), Xena (warlord/hero), the Romulan commander (ST:TOS), Ruffnut and Astrid from HTTYD (thugs), etc...
no subject
Date: 2011-03-29 06:03 pm (UTC)