These Are My Reasons: Why I Like Genderswap, Part Two

[browngirl]

Having written an entire entry disavowing and countering commonly cited reasons attributed to those of us who like genderswap, here's an entry where I try to explain what my reasons actually are.

Soon after I got into the Star Trek Reboot fandom, when everything felt wide open and full of limitless possibilities, I read this post by Liviapenn where she cast STXI with a gender-reversed set of actors. This post, and the discussions I read subsequently both on and off st_genderswap, galvanized my imagination; I haven't yet written a story where I have genderswapped everyone, but I've thought about what changing any one or more of them might do to their trajectory in the fictional universe.

One character I've written a great deal about is Leah McCoy, MD, CMO of one version of the ISS Enterprise. I put Leonard McCoy through two transformations at once, to the Mirrorverse and from [assumed to be -- more on that later] cisgendered male to cisgendered female; I did so at first because an intriguing prompt caught my eye, but I've kept writing about Leah McCoy because I find her a fascinating character, exploring how she is and isn't like Leonard McCoy, the intersections of how being female changes her and how the Mirror Universe changes her.

Generally... one of my reasons for writing and reading genderswap overlaps with one of my reasons for writing and reading about minor, unnamed-in-canon and offscreen female characters. For me, my primary canon for Star Trek Reboot is a two-hour-long movie (I was not particularly a Star Trek TOS fan) and there's one major female character and a handful of secondary characters. I love that major female character, but Nyota Uhura isn't and shouldn't have to be the entirety of womanhood in the Star Trek universe, so I write and read a seemingly disproportionate amount about minor female characters, and I also ask myself what the fictional universe would look like if a larger proportion of characters whatsoever were female. That's my main reason for writing genderswap. The specter of 'Mary Sue' is invoked nearly any time we write about female characters, including against genderswap, but I think female characters are worth considering and that the threat of Mary Sues is greatly overblown (but that's another discussion).

As I put it elsewhen, "I first picked up a genderswap prompt because I thought, "What if Character X, with Y canon role, were female instead of male? And then I ran with it. There's no more complicated reason than that, putting more women into the fictional universe and seeing how being female affects a character's in-universe life and in-story 'jobs'."

Although, I've since found that it is more complicated. For instance, I elided at least two aspects of genderswap in my explanation above.

One: despite liviapenn's brilliant fancasting of Leonard Roberts & Tom Welling, I haven't switched a female character to male. I have seen that presented as a challenge to writers of genderswap, essentially, "Why do you ignore the female characters?" Ignoring them isn't my intent; however, because I want more women in the fictional universe, I'm not as interested in changing the female characters that exist to male. It could make for a very interesting story to write the dynamic of a crew composed of one man and several women and to compare it with the dynamic of one woman and several men, or to mutually swap a het canon couple (Georgina & Winston?) but I haven't written those stories yet, is all.

Two: In my entire discussion above I've conflated 'male' with 'cisgender male' and 'female' with 'cisgender female', and now I want to pull that apart. Another valid and underdone way of writing stories that include more women would be to write about transgender women, as part of writing more about transgender people, who aren't included anywhere near as much as they should be. I've been thinking about this more than my fic output so far likely suggests, since I have only one story so far that could be said to be about a transgender character. As with any other important subject I have not personally lived, I want to do my best. However, as I said in my last post, I don't think stories about transgender characters and stories about cisgender genderswapped characters necessarly occupy the same space, nor do they need to crowd out each other. I'm not done writing yet, and I for one intend to write both genres if I can do so successfully.

I wrote this entry because most of the discussions I've seen of genderswap have been negative portrayals of the practice, so I wanted to start from a positive take on the subject. My friend azephirin asked once: Do you just plunk the traits of the canon/original version onto their alternately-gendered counterpart, or do you consider how the character would relate to hirself and society as a person of another gender, which tends to change things somewhat? Her words have inspired me ever since.

Comments

[nix-this.livejournal.com]

I've never written a genderswap story, but I love reading them, mainly for the reasons you love writing them: more female lead characters in my fanspaces can only be a good thing. I think it's fascinating to explore the inner world of Jamie Kirk, girl!Spock (I don't think I've ever seen a female Spock with a different name) and Lenore McCoy and how their gender may have influenced their character. I don't buy the essentially female/male traits argument at all, I think it's a factor of environment, conditioning and expectation, so incorporating those into the personality of say, a starship Captain, can lead to not only a great story with explosions and badassery (\o/) but also provoke some insight into gender roles and influences.

I'm tempted now to write some girl Scotty... Muriel Scott, maybe? Morag? *g* What is the female equivalent to Montgomery, anyway? Anyway,t he first time she drinks the entire bridge crew under the table and then goes on to defeat the laws of physics AND the save the Enterprise during a red alert while half-cut on bad scotch (to her shame, she has yet to properly reprogram the synthesizers - she keeps getting distracted by the all the bloody emergencies!).

Tangential question is tangential - but what is your take on mpreg? I tend to avoid it because I've read some really bad examples where the author has put all of the insulting and stereotypical "female traits" onto the pregnant character (and not in a way intended to highlight how ridiculous the stereotypes) that just left a bad taste in my mouth.

[rubynye.livejournal.com]

Moira Scott! I love the thought of her already.

Ah, mPreg. It used to be my go-to genre for my "There are things I don't like but I don't spend all my time saying people shouldn't write them" rants. And God knows Sturgeon's Law applies. BUT. I have read some excellent mPregs that don't stereotypically feminize the pregnant character, that don't sideline women (sometimes even by making the pregnant male character's female partner the father) and that generally don't suck. (Frex, so far in the mPreg plot of dragonsquill and Cassiopeia's "Communique" the story has been hilarious and non-offensive.) So now I think, like any genre, it has a lot of dross and some chance of finding gold.