browngirl: (debbie's me)
browngirl ([personal profile] browngirl) wrote2013-11-28 02:49 pm

Musicals and Parades: a thought



So I was watching the Macy's Thanksgiving Day Parade, because, and it struck me that the selections from older musicals (Pippin, The Sound of Music) moved me much more than the selections from the new musicals (Matilda, Memphis, Kinky Boots). The performers were all fairly talented (except for Patina Miller, who is orders of magnitude beyond merely 'talented' and into the realm of being a goddess come to earth to bless us with her glorious presence) so it was the music I was reacting, or not reacting, to. I don't want to indulge in a cheesy nostalgiafest, but I find myself hoping that this is just an effect of small sample sizes and that I could find new musicals which would blow my socks off as effectively as "Magic to Do" does.
redbird: closeup of me drinking tea, in a friend's kitchen (Default)

[personal profile] redbird 2013-11-28 08:16 pm (UTC)(link)
One thing that occurs to me is that with older musicals, there's selection bias: you're getting songs that have lasted/caught on for decades. Musicals from the same year as The Sound of Music include Gypsy and Fiorello, which I knew about because my father liked to sing one of the songs from it, but also First Impressions, Juno, Lock up Your Daughters, Redhead, and Saratoga. (This is just from poking around Wikipedia, which is good for that sort of list; my memories of such things aren't good for "when did that come out?" rather than giving me some lyric snippets from Fiorello.)

[identity profile] moon-custafer.livejournal.com 2013-11-28 08:59 pm (UTC)(link)
Not to mention the breakaway hits that have stood the test of time and which no one remembers were once part of now-largely-forgotten musicals ('Smoke Gets In Your Eyes,' from Roberta).